Brahms: The Boy II gets brutal Rotten Tomatoes score as it?s called ?punishingly dull - أزياء - فساتين - عبايات - ملابس نسائية - موضة

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قديم 02-24-2020, 04:07 AM
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افتراضي Brahms: The Boy II gets brutal Rotten Tomatoes score as it?s called ?punishingly dull




We all know the clichأ©s: every horror movie must have a sequel, and that sequel must suck big time.

Some recent horror movies have gone against that grain, but Brahms: The Boy II is not one of those movies.

At the time of writing, the film has a very poor Rotten Tomatoes rating of only 11%, meaning that only a handful of critics tolerated it and the vast majority did not.

Here are what some of the bigger critics out there are saying:

LA Times

The biggest issue is that director William Brent Bell and screenwriter Stacey Menear, the creative team behind The Boy and Brahms, don’t seem to have much ambition beyond giving the audience the willies in the most obvious ways imaginable.”

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STX Entertainment

<a class="body-link" href="https://www.thewrap.com/brahms-the-boy-ii-film-review-katie-holmes/" target="_blank" data-vars-ga-outbound-link="https://www.thewrap.com/brahms-the-boy-ii-film-review-katie-holmes/" rel="noopener noreferrer">TheWrap

Brahms: The Boy II takes the best elements from The Boy and reverses course so abruptly, it practically leaves skidmarks on the screen. It’s not just a sub-par sequel; it retroactively injures an otherwise superior film.”

RogerEbert.com

“The worst thing is that there’s a point in the final act when it feels like Brahms could have become the crazy movie it needed to at least be memorable, but then it just fizzles to one of those annoying non-endings that makes even less sense than the nonsense that preceded it.

“It’s a ghost story with no ghosts; a slasher pic with no slashing; an atmosphere with no, well, you get it. It’s just a film that’s as blank as Brahms’ expression.”

<a class="body-link" href="https://www.youtube.com/watch?v=aU_RSGy_blA" target="_blank" data-vars-ga-outbound-link="https://www.youtube.com/watch?v=aU_RSGy_blA" rel="noopener noreferrer">Chris Stuckmann

<strong/>

SlashFilm

“Anytime The Boy 2 suggests that something might be about to happen, it pulls back. There are countless fake-out scares here â?? where someone completely harmless steps into frame and the soundtrack blasts out a loud, booming note. As for genuine scares, uhâ?¦well, there aren’t any.”<em/>

<a class="body-link" href="https://film.avclub.com/the-spooky-doll-is-an-oddball-delight-but-brahms-the-1841818886" target="_blank" data-vars-ga-outbound-link="https://film.avclub.com/the-spooky-doll-is-an-oddball-delight-but-brahms-the-1841818886" rel="noopener noreferrer">AVClub

“The new movie is hamstrung by its desire to color within the spooky-doll lines for much of its running time, and the potential explanations for the haunted-house vibes inevitably start to resemble a multiple choice question with the best answer already crossed off by the first movie.”

The Guardian

“It’s so punishingly dull to watch, filled with dry, perfunctory dialogue from Stacey Menear’s consistently uninventive script and shot without even a glimmer of style, that even at a brisk 86 minutes, it feels like unending torture.”

Brahms: The Boy II is out in cinemas now.

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