NEW YORK (AP) — Everyone is vanishing around Julianne Moore’s title character in Sebastian Lelio’s “Gloria Bell.” The disappearances don’t come with blood-curdling shrieks or thundering score cues, but with the humdrum ebb of middle age. People just move away or recede from view.
Gloria is a divorced, fifty-something Los Angeles insurance agent by day and dances disco at a nightclub by evening. Her son, Peter (Michael Cera), is caring for a newborn while his wife is away somewhere in the desert “finding herself.” Her daughter, Anne (Caren Pistorius), has an extreme surfer boyfriend chasing waves abroad — and she might soon join him. Gloria’s closest colleague at work is sent packing.
03-10-2019, 07:07 AM
Film Review: Julianne Moore shines in 'Gloria Bell'
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