{"id":24451,"date":"2025-04-04T09:56:24","date_gmt":"2025-04-04T06:56:24","guid":{"rendered":"https:\/\/ww-vb.mine.nu\/sa\/12-musicals-on-broadway-and-furthermore-it-comes-from-shakespeare-plays\/"},"modified":"2025-04-04T09:56:24","modified_gmt":"2025-04-04T06:56:24","slug":"12-musicals-on-broadway-and-furthermore-it-comes-from-shakespeare-plays","status":"publish","type":"post","link":"https:\/\/hameed.nwar.uk\/sa\/12-musicals-on-broadway-and-furthermore-it-comes-from-shakespeare-plays\/","title":{"rendered":"12 musicals on Broadway and Furthermore it comes from Shakespeare Plays"},"content":{"rendered":"
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Lists<\/a>12 musicals on Broadway and Furthermore it comes from Shakespeare Plays<\/span>Of West Side Story <\/i>after Kiss me, kate<\/i>Do you know all these music-influenced musicals?<\/span><\/p>\n

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By Logan Culwell-Block<\/p>\n

April 23, 2021<\/p>\n

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Brian Stokes Mitchell in Kiss me, kate<\/i> John Marcus<\/span> <\/span> <\/figcaption><\/figure>\n<\/p><\/div>\n<\/div>\n
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William Shakespeare’s 39 plays – give or take, depending on who you ask – are constantly acting all over the world thanks to his truly unparalleled way with words and dramatic storytelling. Broadway writers also regularly turned to Shakespeare for source material, and for good reason; Shakespeare’s works are filled with high drama and big laughter – and they are not protected by copyright.<\/p>\n

Here we look at 12 musicals based on the work of Shakespeare.<\/p>\n

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12 musicals on Broadway and further inspired by Shakespeare Plays<\/h3>\n<\/div>\n
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12 musicals on Broadway and further inspired by Shakespeare Plays<\/h3>\n

21 photos<\/span><\/p>\n<\/div>\n<\/figcaption><\/figure>\n<\/div>\n

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\"West_side_story_broadway_production_photos_2009_cast_hr\"<\/p>

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Cast<\/p>\n

John Marcus<\/p>\n<\/div>\n<\/figcaption><\/figure>\n<\/div>\n

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\"Romeo<\/p>

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Romeo and Juliet<\/i><\/p>\n<\/div>\n<\/figcaption><\/figure>\n<\/div>\n

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\"All<\/p>

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Cheyenne Jackson and cast of Everyone shook<\/i><\/p>\n

John Marcus<\/p>\n<\/div>\n<\/figcaption><\/figure>\n<\/div>\n

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\"Twelfth<\/p>

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Twelfth night<\/i><\/p>\n<\/div>\n<\/figcaption><\/figure>\n<\/div>\n

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\"Kiss<\/p>

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Kelli O’hara in Kiss me, kate<\/i><\/p>\n

John Marcus<\/p>\n<\/div>\n<\/figcaption><\/figure>\n<\/div>\n

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\"The<\/p>

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The pace of the shed<\/i><\/p>\n<\/div>\n<\/figcaption><\/figure>\n<\/div>\n

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\"Rockabye<\/p>

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Role of Rockabye Hamlet <\/i><\/p>\n<\/div>\n<\/figcaption><\/figure>\n<\/div>\n

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\"Hamlet.jpg\"<\/p>

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Ham<\/i><\/p>\n<\/div>\n<\/figcaption><\/figure>\n<\/div>\n

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\"Two_gentlemen_of_verona_production_photo_public_shakespeare_in_the_park_production_photo_1971_jose<\/p>

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Jose Perez, Jerry Stiller, Raul Julia, and Clifton Davis in Two Lord of Verona<\/i><\/p>\n

George E. Joseph\/\u00a9 The New York Public Library<\/p>\n<\/div>\n<\/figcaption><\/figure>\n<\/div>\n

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\"The<\/p>

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The two lords of Verona<\/i><\/p>\n<\/div>\n<\/figcaption><\/figure>\n<\/div>\n

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Jimmy Savo and Heidi Vosserer in The boys of Syracuse<\/i><\/p>\n

Billy Rose Theater Division\/\u00a9 NYPL for the Performing Arts<\/p>\n<\/div>\n<\/figcaption><\/figure>\n<\/div>\n

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\"The<\/p>

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The comedy of errors<\/i><\/p>\n<\/div>\n<\/figcaption><\/figure>\n<\/div>\n

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\"Twegth_night_red_cast_shakespeare_in_the_park_productuctouction_photo_2018_shaina<\/p>

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Red cast: Shaina Taub and company of Twelfth night<\/i> and As you like it<\/i><\/p>\n

John Marcus<\/p>\n<\/div>\n<\/figcaption><\/figure>\n<\/div>\n

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\"Twelfth<\/p>

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Twelfth night <\/i>and As you like it<\/i><\/p>\n<\/div>\n<\/figcaption><\/figure>\n<\/div>\n

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\"Donkey_show_at_american_repertory_theatre<\/p>

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The donkey show<\/i> In American repertory theater<\/p>\n

American repertory theater<\/p>\n<\/div>\n<\/figcaption><\/figure>\n<\/div>\n

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\"Midsummer<\/p>

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A Midsummer Night’s Dream<\/i><\/p>\n<\/div>\n<\/figcaption><\/figure>\n<\/div>\n

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\"Bomb-itty<\/p>

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The bomb-hitty of errors<\/i><\/p>\n<\/div>\n<\/figcaption><\/figure>\n<\/div>\n

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Role of Play on!<\/i><\/p>\n

Photo by photo by Carol Rosegg<\/p>\n<\/div>\n<\/figcaption><\/figure>\n<\/div>\n

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\"Lion_ing_broadway_production_photo_2018_bradley<\/p>

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Bradley Gibson<\/p>\n

Deen of more<\/p>\n<\/div>\n<\/figcaption><\/figure>\n<\/div>\n

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\"Return_to_the_forbidden_planet_tour_production_photo\"<\/p>

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Role of Return to the forbidden planet<\/i><\/p>\n

Nobby Clark<\/p>\n<\/div>\n<\/figcaption><\/figure>\n<\/div>\n

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\"The<\/p>

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The storm<\/i><\/p>\n<\/div>\n<\/figcaption><\/figure>\n<\/div>\n<\/div>\n

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Cast John Marcus<\/span> <\/span> <\/figcaption><\/figure>\n<\/p><\/div>\n

1. West Side Story<\/i><\/b><\/p>\n

We need to start with the typical Shakespeare Music: West Side Story<\/i>a retelling of Shakespeare’s Romeo and Juliet<\/i>. It was director Choreographer Jerome Robbins who first had the idea of \u200b\u200bupdating Shakespeare’s tragic story of star-crossed lovers doomed by their false families in the 14th-century Italy to a modern daycenario of two competitive gangs at the Upper West Side of New York. Robbins works with book writer Arthur Laurents, composer Leonard Bernstein, and lyricist Stephen Sondheim to create the show, which led in Broadway in 1957.<\/p>\n

Although West Side Story<\/i> is not a direct adjustment of Romeo and Juliet<\/i>Divide the two multiple plot points, such as a balcony scene between the lovers (a firefly in West Side Story<\/i>) And the Romeo figure, Tony, who kills a close relative of his love. Also note that Tony’s famous “Something’s Coming” replaces Romeo’s monologue about Rosamond, but mimics the feeling of him to emotion and on the brink of change. However, the musical takes on a deviation to adjust Romeo and Juliet<\/i>The famous-trachic end, which kills both the title characters. In West Side Story<\/i>Tony (the Romeo-modeled character) is killed, but his love, Mary, lives on with the trauma of the experience.<\/p>\n

West Side Story<\/i> adapted in a very successful and Oscar award-winning film in 1961, and became a staple of English teachers in high school as a tool to cover Romeo and Juliet<\/i>.<\/p>\n

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Everyone shook Playbill <\/span> <\/span> <\/figcaption><\/figure>\n<\/p><\/div>\n

2. Everyone shook<\/i><\/b><\/p>\n

The book writer Joe Dipietro looked at Shakespeare’s Twelfth night<\/i> When choosing an intrigue that connects songs made by Elvis Presley, can be connected in this Jukebox musical, produced in Broadway in 2005. We will encounter it again on this list. Everyone shook<\/i> Took a sign of Presley’s legacy to move the action to the US Middle West in the 1950s and turn Shakespeare’s viola-who as cesario in the original disguised Natalie, the car mechanic, who disguises her as Ed, so that the Elvis-like Chad will pay more attention to her.<\/p>\n

Everyone shook<\/i> was finally short -lived on Broadway, and offered only 213 performances, but enjoyed us and British tours, as well as a number of local productions. Cheyenne Jackson played his first starring role on Broadway and created the role of Chad.<\/p>\n

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Patricia Morison in Kiss my kate<\/i> <\/span> <\/span> <\/figcaption><\/figure>\n<\/p><\/div>\n

3. Kiss me, kate<\/i><\/b><\/p>\n

This Shakespeare -Musical Adjustment Get Meta. Shakespeare’s The pace of the shed<\/i>The stormy lovers Petruchio and Katherina become Fred and Lilli, two actors who lead the company of a musical<\/u> version of The taming of the shed\u2014<\/i>and play Petruchio and Katharine in it – but also share a relationship beyond the stage similar to that of their Screw <\/i>Characters. The idea is reportedly inspired by Kiss me, kate <\/i>Producer Arnold Saint-Subber’s experience looks at the relationship between and outside the stage of the man and woman acting team Alfred Lunt and Lynn Fontanne during a 1935 production of The pace of the shed<\/i>. Saint-Subber made Samuel and Bella Spewack to adapt the story in a musical, with Cole Porter providing the songs. Kiss me, kate<\/i> becomes a classic of the genre almost immediately after being promoted in 1948.<\/p>\n

The show won the first best musical Tony Award in 1949 and has since been popular on Broadway and around the world. A revival in 1999 played Brian Stokes Mitchell and Marin Mazzie, and a 2019 production, starring Will Chase and Kelli O’hara, earned four Tony nominations.<\/p>\n

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Role of Rockabye Hamlet<\/i> Kenn Duncan\/\u00a9 NYPL for the Performing Arts<\/span> <\/span> <\/figcaption><\/figure>\n<\/p><\/div>\n

4. Rockabye Hamlet<\/i><\/b><\/p>\n

Shakespeare’s classic story of the Danish prince who avenges his father’s death has received the rock music treatment with Cliff Jones’ Rockabye Hamlet<\/i>. The musical began in 1973 as a Canadian radio broadcast under the title Kronborg: 1582<\/i>observe his name from the castle Ham<\/i> takes place. In February 1976, a revised version (now mentioned Rockabye Hamlet<\/i>) was opened on Broadway with a cast that included Larry Marshall in the title role and meat bread as the priest. Rockabye Hamlet<\/i> After the opening night, the seven performances lasted famous, but the show has emerged in new productions through the years, usually with more revisions and even more new titles. The show played Los Angeles for 18 months in 1981 as Somethin ‘Rockin’ in Denmark<\/i>has been revived in Astoria, New York, as Rockabye Hamlet<\/i> in 2014, and returned to the earliest title Kronborg: 1582<\/i> For a 2017 concert production at the Charlottetown Festival in Canada.<\/p>\n

Read: 22 Broadway Music Courses that closed on the opening night<\/a><\/u><\/b><\/p>\n<\/div>\n

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Jose Perez, Jerry Stiller, Raul Julia, and Clifton Davis in Two Lord of Verona<\/i> George E. Joseph\/\u00a9 The New York Public Library<\/span> <\/span> <\/figcaption><\/figure>\n<\/p><\/div>\n

5. Two Lord of Verona<\/i><\/b><\/p>\n

It is not difficult to find out on which of Shakespeare’s plays on which this musical is based because they share a title. To the wild success of Her<\/i> at the public theater Outdoor Broadway and later on the main stem, Her<\/i> The composer Galt Macdermot works with playwrights John Guare and Mel Shapiro to musicalize Shakespeare’s story of two lifelong friends who leave their rural home in Verona for the ‘big city’ of Milan and love along the way. The musical version of Two lords<\/i> Was a fairly straight adjustment of the Shakespeare, which left the locations and character names intact, although MacDermot and Guare’s score gave the production a timely atmosphere in the 1970s.<\/p>\n

The show is in 1971 in the Outdoors Delacorte Theater in Central Park, which is part of the Shakespeare in the Public Theater in the Park series. The new musical was so well received that it quickly moved to Broadway the same year. The cast was led by Ra\u00fal Juli\u00e1 as Proteus, and the ensemble contains the then unknown names Stockard Channing in her Broadway debut and Jeff Goldblum. Two Lord of Verona<\/i> won the best musical during the Tony Awards of 1972, over both Fat<\/i> and Foolishness<\/i>. The show is not seen today with a lot of frequency, although the public theater brought it back to the Delacorte in 2005.<\/p>\n

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Jimmy Savo and Heidi Vosserer in The boys of Syracuse<\/i> Billy Rose Theater Division\/\u00a9 NYPL for the Performing Arts<\/span> <\/span> <\/figcaption><\/figure>\n<\/p><\/div>\n

6. The boys of Syracuse<\/i><\/b><\/p>\n

These golden era rodgers and heart musical were the first modern musical comedy adapted from Shakespeare. Director and Book Writer George Abbott has another one of Shakespeare’s m selected OST regularly customized works The comedy of errors<\/i> As inspiration, which gives Shakespeare’s environment and characters in the 1930s Broadway style jokes and songs. Richard Rodgers and the score of Lorenz Hart set up standards such as ‘Sing For Your Supper’ and ‘Falling in Love With Love’, which helps the show to become one of 1938 Broadway.<\/p>\n

Like many performances from the thirties, the show was largely unnoticed for years until Revisals, with new and updated books , was on stage in the late 1990s. Roundabout Theater Company revived the show on Broadway in 2002 with a new book by playwright Nicky Silver, with a cast that includes Tom Hewitt, Erin Dilly, Lee Wilkof and Chip.<\/p>\n

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Red cast: Shaina Taub and Company John Marcus<\/span> <\/span> <\/figcaption><\/figure>\n<\/p><\/div>\n

7. Shaina Taub and Laurie Woolery’s Twelfth night<\/i> and As you like it<\/i><\/b><\/p>\n

Recently, the public theater returned to the musicalization of Shakespeare for their Shakespeare in the Park series, the pleasant writer and exporter Shaina Taub to deliver songs for both plays, director Kwame Kwei-Armah Slope Twelfth night<\/i> and writer-director Laurie Woolery adjustment As you like it<\/i>. These versions of Twelfth night<\/i> and As you like it<\/i> Hew closer to the originals than most of the shows on this list, and usually use the songs of Taub as jaundice and entertaining punctuations between Shakespeare’s original text. Both were presented (in 2016 and 2017 respectively) as part of the Public Works Series, which places Broadway Professional Persons with the “Amateur” performers of the community of community centers and outreach programs for some definite fun and wilder, the Bard takes on. ‘<\/p>\n

Both were exceptionally well received, so much so that Twelfth night<\/i> Played a return engagement in 2018. Since these are relatively new adjustments, it is still to be seen what will happen to them next, but both are made available for licensing to theater companies and will undoubtedly start manufacturing all over the US, just announced, a cast album of album Twelfth night <\/i>will be released by Concord Music’s craft recordings. <\/p>\n

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Read: Shaina Taub is one of three theaters ready to break big<\/a><\/u><\/b><\/p>\n

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The donkey show<\/i> In American repertory theater American repertory theater<\/span> <\/span> <\/figcaption><\/figure>\n<\/p><\/div>\n

8. The donkey show<\/i><\/b><\/p>\n

Before she became a Tony winner who was the 2013 Broadway revival of Pippin<\/i>Diane Paul made an early splash in the co-writing of the New York scene (along with the man Randy Weiner) and directed The donkey show<\/i>an off-broadway disco version of A Midsummer Night’s Dream<\/i>. Compelling before it was on a trend, The donkey show<\/i> was staged in a club, Club El Flamingo. Midsummer<\/i>‘S Oberon, king of the fairies, became a disco impresario, and his wife Titania a Donna summer-like Disco diva. Nick Bottom, who in Midsummer<\/i> is an selfish weaver converted into a donkey, some disco-dancing twins in The donkey show<\/i>. The show contains a Jukebox score of disco hits, including ‘I love the nightlife’, ‘ring my bell’, ‘we are family’ and ‘car wash.’<\/p>\n

When it opened off-broadway in August 1999, production would play a limited involvement of six weeks. The donkey show<\/i> There has been running for almost six years and becomes one of the longest running off-broadway performances in history. The production in New York led to productions around the world, and Paul revived the show in the American repertory Theater in 2009. It now now Still playing at Art on Saturday nights<\/a><\/p>\n

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\"\/\/assets.playbill.com\/editorial\/47c79ece4e7355239dd53672cc8db932-bomb-tty-mailter.jpg\"
<\/span> <\/span> <\/figcaption><\/figure>\n<\/p><\/div>\n

9. The bomb-hitty of errors<\/i><\/b><\/p>\n

Long before Hamilton<\/i>, The bomb-hitty of errors<\/i> brought rap to musical theater while updating the story of Shakespeare’s The comedy of errors<\/i>. The show was written and performed by Jordan Allen Dutton, Jason Catalano, GQ and Erik Weiner, and began in 1998 as a senior project of the NYU. The next year, the following year, The bomb-hitty of errors<\/i> Opened in the Bleecker Street Theater of Off-Broadway and becomes a favorite in the audience. Bomb-itty<\/i> The original story of Shakespeare’s original story updated in modern times, which separated the pairs of identical twins because of the foster care system. A DJ on stage was on hand to turn beats.<\/p>\n

The show enjoyed a successful off-broadway, with a nomination of the dramaless for best lyrics and a nomination of the outer critics circle for excellent off-broadway muscle. The show was later seen in Chicago, Philadelphia and Los Angeles, and internationally in England, Ireland, Scotland and Canada. Bomb-itty<\/i> is still produced today by local theaters across the country.<\/p>\n

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Play on! Playbill – Opening Night, March 1997 <\/span> <\/span> <\/figcaption><\/figure>\n<\/p><\/div>\n

10. Play on!<\/i><\/b><\/p>\n

As Everyone shook<\/i>, Play on!<\/i> was a Jukebox Music Muscle that used Twelfth night<\/i> As inspiration. Director Sheldon Epps had the idea of \u200b\u200bmixing Shakespeare’s story with the music of the legendary jazz musician Duke Ellington. He recruited the book writer Cheryl L. West to transport the story to Harlem of the 1940s and told the story of a female musician named Vy who disguised herself as a man so that she could be more serious than a songwriter. The score contains standards such as ‘Take the Train’, ‘it doesn’t mean a thing (if it doesn’t swing like that),’ ‘I got it bad and it’s not good,’ and more.<\/p>\n

Play on! <\/i>promoted in March 1997 on Broadway. Although the production was short -lived with only 61 performances, Play on!<\/i> Three 1997 Tony Awards Nominations received for the excellent performance of Andr\u00e9 de Shields, the leading performance of Tonya Pinkins and Luther Henderson’s orchestrations.<\/p>\n

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Jason Raize and the original company John Marcus<\/span> <\/span> <\/figcaption><\/figure>\n<\/p><\/div>\n

11. The lion king<\/i><\/b><\/p>\n

Although the film and the resulting stage music The lion king<\/i> are not directly credited as based on Shakespeare, but many have the clear similarities to Ham<\/i>. Much like Ham<\/i> Simba wants to avenge the murder of his father at the hands of his uncle, and eventually Simba has to triumph over his uncle scar after his murder of Mufasa. Even Timon and Pumbaa have Shakespearean connections Ham<\/i>‘S Rosencrantz and Guildenstern. Yet, the Ham <\/i>connection can be less intentional, such as The creative team member Lebo M told Playbill in 2017 about the story’s connection to his personal past<\/a>. <\/p>\n

The lion king<\/i> has become one of the most successful Broadway music remains in history. The show was opened in Broadway in October 1997 and becomes an almost attractive hit that still runs worldwide today.<\/p>\n

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\"\/\/assets.playbill.com\/editorial\/ac11e6aca8478ff54c18f964086ea206-the-cast-or-return-to-the-forbidden-planet.-photo-credit-clark.jpg\"
Role of Return to the forbidden planet<\/i> Nobby Clark<\/span> <\/span> <\/figcaption><\/figure>\n<\/p><\/div>\n

12. Return to the forbidden planet<\/i><\/b><\/p>\n

This off-broadway musical was adapted by Bob Carlton of the Classic 1950s Sci film Forbidden planet<\/i>which is somewhat inspired by Shakespeare’s The storm<\/i>. In Shakespeare’s play we meet the wizard Prospero, who lives in a separate island in a remote island. He calls on a storm to bring the king of Naples to the island, so that his daughter, Miranda, can marry the king’s son and accept her rightful title. Forbidden planet<\/i> contains some similar plotnotes and a similar isolated setting The storm<\/i>but the musical Return to the forbidden planet<\/i> is much more directly based on the Shakespeare. The remote island becomes the distant planet d’i -Illyria (a reference to the introduction of Twelfth night<\/i>), which is home to Doctor Prospero and his daughter Miranda. A meteor shower drops a spaceship on D’Allyria, with Miranda eventually falling for the ship’s commander, Captain Tempest. All of this is set to a Jukebox count consisting of the hits of the ’50s and’ 60s, including ‘Wipe Out’, ‘Good Vibrations’, Monster Mash,’ and ‘Great Balls of Fire’.<\/p>\n

This Campy Sci-Fi turn on Shakespeare started in Australia and toured there in the early 90s. An off-broadway production played the Variety Arts Theater for 243 performances in 1991, after which the show was seen at regional companies across the country.<\/p>\n

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Logan Culwell-Block<\/a> is a musical theater historian, Playbill’s manager of research, and curator of Playbill Vault<\/b><\/a><\/i>. @loganculwell<\/a><\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Lists 12 musicals on Broadway and Furthermore it comes from Shakespeare Plays Of West Side Story after Kiss me, kateDo you know all these music-influenced musicals? By Logan Culwell-Block April 23, 2021 Brian Stokes Mitchell in Kiss me, kate John Marcus William Shakespeare’s 39 plays – give or take, depending on who you ask –<\/p>\n","protected":false},"author":1,"featured_media":24452,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-24451","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-1"],"amp_enabled":true,"_links":{"self":[{"href":"https:\/\/hameed.nwar.uk\/sa\/wp-json\/wp\/v2\/posts\/24451","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/hameed.nwar.uk\/sa\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/hameed.nwar.uk\/sa\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/hameed.nwar.uk\/sa\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/hameed.nwar.uk\/sa\/wp-json\/wp\/v2\/comments?post=24451"}],"version-history":[{"count":0,"href":"https:\/\/hameed.nwar.uk\/sa\/wp-json\/wp\/v2\/posts\/24451\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/hameed.nwar.uk\/sa\/wp-json\/wp\/v2\/media\/24452"}],"wp:attachment":[{"href":"https:\/\/hameed.nwar.uk\/sa\/wp-json\/wp\/v2\/media?parent=24451"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/hameed.nwar.uk\/sa\/wp-json\/wp\/v2\/categories?post=24451"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/hameed.nwar.uk\/sa\/wp-json\/wp\/v2\/tags?post=24451"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}