{"id":221974,"date":"2020-09-16T07:49:24","date_gmt":"2020-09-16T04:49:24","guid":{"rendered":"http:\/\/ww-vb.mine.nu\/w108\/from-the-archives-lauren-bacall-returned-to-broadway-in\/"},"modified":"2020-09-16T07:49:34","modified_gmt":"2020-09-16T04:49:34","slug":"from-the-archives-lauren-bacall-returned-to-broadway-in","status":"publish","type":"post","link":"https:\/\/hameed.nwar.uk\/sa\/from-the-archives-lauren-bacall-returned-to-broadway-in\/","title":{"rendered":"From the Archives: Lauren Bacall Returned to Broadway in"},"content":{"rendered":"<p> [ad_1]<br \/>\n<\/p>\n<div>\n<p>\u201cHey, you desire a yogurt?&#8230; How about some juice?\u201d <\/p>\n<div class=\"bsp-article-enhancement align-right\">\n<figure class=\"bsp-img-with-meta\"><img decoding=\"async\" src=\"https:\/\/bsp-static.playbill.com\/dims4\/default\/dcb01b7\/2147483647\/thumbnail\/970x546\/quality\/90\/?url=http%3A%2F%2Fpb-asset-replication.s3.amazonaws.com%2Fac%2F4e%2Fe614556e48b8b33bd6fcd44edbe3%2Fbacallyear4.jpg\" alt=\"Lauren Bacall in &lt;i&gt;Woman of the Year&lt;\/i&gt;\"\/><figcaption><span class=\"bsp-img-caption\"><br \/>\n                Lauren Bacall in <i>Girl of the 12 months<\/i><\/p>\n<p>                    <span class=\"bsp-img-credit\">Martha Swope<\/span><\/p>\n<p>            <\/span><br \/>\n        <\/figcaption><\/figure>\n<\/div>\n<p>Lauren Bacall\u2014sultry, refined girl of the display and stage\u2014is rifling by means of the contents of the mini-refrigerator in her dressing room, in search of one thing to quench her thirst. She settles for a fruit juice and drops her lanky, casually clad self right into a brown chaise that crowds the room. <\/p>\n<p>It\u2019s lunch time however Bacall \u2013 again on Broadway, starring within the musical model of <i data-rte2-sanitize=\"italic\">Girl of the 12 months <\/i>\u2013 isn\u2019t occupied with meals. <\/p>\n<p>\u201cI don\u2019t eat lunch,\u201d she says off-handedly, throwing her head again for a deep swig out of her juice bottle. \u201cWithin the theatre you don\u2019t eat lunch. Ha!\u201d she harrumphs, \u201cwithin the theatre you\u2019re fortunate in case you <i data-rte2-sanitize=\"italic\">eat<\/i>.\u201d<\/p>\n<p>Bacall isn&#8217;t complaining. Not by a protracted shot.<\/p>\n<p>Ten years in the past she put her profession on the road for the theatre. That\u2019s when she made a bid for admittance into the tight fraternity {of professional} stage actors. That\u2019s when she threw warning to the wind and took middle stage in her very first Broadway musical. It was referred to as <i data-rte2-sanitize=\"italic\">Applause<\/i>; it was the musical model of the traditional Bette Davis movie drama, <i data-rte2-sanitize=\"italic\">All About Eve<\/i>, and there have been people who sat out within the viewers, opening evening, who actually doubted that Bacall would have the stuff in her to make the musical soar. <\/p>\n<p>They had been mistaken. Bacall\u2019s profession gamble paid off\u2026 in spades.<\/p>\n<p>By way of <i data-rte2-sanitize=\"italic\">Applause<\/i>, Lauren Bacall gained the Finest Actress Tony Award and a brand new profession as a legit stage actress and Broadway asset. <\/p>\n<p>\u201cPay attention, I do know I\u2019m a goddamn fortunate girl,\u201d she says of her second likelihood profession as stage star. \u201cI had all these years in Hollywood. And, though I wouldn\u2019t say I had a stellar profession, I had my instances on the market.\u201d<\/p>\n<p>Certainly, Bacall became an prompt hit following her film debut in 1944, reverse main man (and soon-to-be husband) Humphrey Bogart. That first movie was <i data-rte2-sanitize=\"italic\">To Have and Have Not<\/i>, and in it Bacall launched the smolderingly sensual, temptingly sardonic girl that she would recreate in a string of different movies together with <i data-rte2-sanitize=\"italic\">The Large Sleep<\/i>, <i data-rte2-sanitize=\"italic\">Darkish Passage<\/i>, and <i data-rte2-sanitize=\"italic\">Key Largo<\/i>. <\/p>\n<p>\u201cI used to be this large hit discovery at 19,\u201d the native New Yorker remembers with amusement. \u201cThe critics cherished me with Bogie in <i data-rte2-sanitize=\"italic\">To Have and Have Not<\/i>.\u201d She hoots on the recollection: \u201cThen they needed me despatched again to wherever I got here from after they noticed me in <i data-rte2-sanitize=\"italic\">Confidential Agent<\/i>. After <i data-rte2-sanitize=\"italic\">The Large Sleep<\/i> got here out, I used to be their darling yet again. I imply, discuss being a ping pong ball. <\/p>\n<p>\u201cMovie makes use of you so long as you may final. And that,\u201d says Bacall, \u201cwill depend on your will and your expertise, your luck and your perseverance.\u201d<\/p>\n<p>After some time, all the above started to wane for Bacall. \u201cThe flicks sloughed me off,\u201d she says, matter-of-factly. Most actresses would have taken dismissal as defeat and promptly shriveled into oblivion. However not Bacall. \u201cTo outlive you\u2019ve acquired to be sturdy. Apart from, I don\u2019t imagine in changing into a sufferer of whim.\u201d So she saved her hand in. Film right here and there. A stage triumph with <i data-rte2-sanitize=\"italic\">Cactus Flower<\/i>, and her critically acclaimed, greatest promoting autobiography, <i data-rte2-sanitize=\"italic\">Lauren Bacall By Myself<\/i>. <\/p>\n<p>Lauren Bacall was not prepared for a fadeout. \u201cInitially, I like to work. I wasn\u2019t about to present <i data-rte2-sanitize=\"italic\">that <\/i>up. I\u2019m an actress, and I feel that\u2019s fairly particular,\u201d says the nonetheless good-looking 56-year-old lady who\u2019s feeling very a lot at her peak. <\/p>\n<p>\u201cWithin the theatre I really feel as if I\u2019m dwelling and as if I actually belong. I by no means a lot preferred the piecemeal work of films. What a thrill it&#8217;s every evening to go the entire route with a personality and a play. I like the contact with the viewers. I like the joy.\u201d<\/p>\n<p>The truth that big-name Broadway abilities like John Kander, Fred Ebb, Peter Stone and Robert Moore have come collectively to tailor a flashy sassy musical particularly for Bacall, doesn\u2019t damage her enthusiasm any. <\/p>\n<p>\u201cHa!\u201d she laughs. \u201cI assume you\u2019d need to say I\u2019m stage struck. I\u2019ve been away from Broadway ever since <i data-rte2-sanitize=\"italic\">Applause<\/i>, and God, I missed it. I saved ready for one thing proper and good to come back alongside. And there wasn\u2019t something \u2026 till this. [Producer] Larry Kasha referred to as me and mentioned, \u2018What do you consider <i data-rte2-sanitize=\"italic\">Girl of the 12 months<\/i>?\u2019 What I believed,\u201d she booms, \u201cis \u2018Great! Terrific!\u2019 We acquired Kander and Ebb, Peter Stone, Bob Moore. I couldn\u2019t be working with higher individuals.\u201d <\/p>\n<div class=\"bsp-article-enhancement\">\n<div class=\"bsp-component bsp-video-player-component\">\n<div class=\"bsp-component-content\">\n<div class=\"bsp-video-player\">\n<p>\n                <iframe loading=\"lazy\" title=\"Lauren Bacall - I Wrote the Book - Woman of the Year\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/XBZ7INOuopE?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n            <\/p>\n<p>                <meta content=\"Fri Sep 15 16:06:30 EDT 2017\"\/><meta content=\"http:\/\/img.youtube.com\/vi\/XBZ7INOuopE\/0.jpg\"\/><\/div>\n<\/p><\/div>\n<\/div>\n<\/div>\n<p><i data-rte2-sanitize=\"italic\">Girl of the 12 months<\/i> is the musical stage model of the traditional 1942 film that starred Katharine Hepburn and Spencer Tracy. Within the stage model, Lauren Bacall is completely at dwelling with the position of the dazzling Tess Harding, an awfully profitable TV newscaster (a la Barbara Walters), who locks romantic {and professional} horns with Sam Craig, a crusty-but-loveable newspaper cartoonist.<\/p>\n<p>Even the stress to succeed and make this big-money Broadway car a smash hit doesn\u2019t get Betty Bacall down. \u201cPay attention,\u201d she says, levelly. \u201cIt\u2019s by no means going to be excellent first day trip. You&#8217;re taking it out-of-town realizing it\u2019s too lengthy, realizing there are adjustments to be made. <\/p>\n<p>\u201cYou make these adjustments after you begin taking part in to an viewers. Out-of-town is the good experiment. And, yeah, it\u2019s tiring. And certain, I get tense and nervous. However I\u2019m all the time nervous earlier than I am going on. I truthfully don\u2019t know the way to not be. Nonetheless, I\u2019m extra in management now, primarily as a result of I proved myself. I proved I might do Applause, I proved I belonged. My friends welcomed me after they realized I wasn\u2019t an impostor or only a Hollywood girl dipping into an expertise within the theatre. Not that any of that has turned my head.\u201d Bacall insists. \u201cI&#8217;ve by no means had a giant ego. Solely imbeciles have large egos. However I&#8217;m certain safe about my work, and about what I\u2019m doing on the stage. Ah, however it&#8217;s best to see me earlier than the curtain goes up. My arms shake and my lips twitch and I&#8217;ve this abdomen ache. I say \u2018Why are we doing this?\u2019 After which the music comes up\u2026 and the lights go down\u2026 and the curtain rise, and the persons are on the market and you realize why. Theatre is magic. It\u2019s what takes us all out of the kitchen of life we\u2019re trapped in. It\u2019s what makes us attain for one thing higher.<\/p>\n<p>\u201cYou realize what? I like getting on the market and giving 500 % of myself every efficiency. It\u2019s powerful work however you develop such pleasure in what you do and in who you&#8217;re. I\u2019m disciplined about working. You wager! It\u2019s a part of being knowledgeable actor. God, I feel actors are terrific. They&#8217;re courageous, aren\u2019t they. I imply, they get on the market eight instances every week and put their lives on the road. And folks suppose we\u2019re freaks. Positive, individuals invite us to their events. Actors are terrific to embellish the room. However do we actually need to take them critically? Nicely\u2026 we take the work critically. And I simply keep dwelling from these events the place I do know I\u2019m invited to embellish the partitions. That\u2019s one of many benefits of getting older,\u201d says Bacall, \u201cYou possibly can say no and also you don\u2019t need to please everybody, and it can save you you energies for what\u2019s necessary: the efficiency.\u201d<\/p>\n<p>As for all of the attendant star stuff that comes with having your title in lights, above the title on the marquee, Lauren Bacall claims their lures usually are not for her. <br \/>\u201cI really feel I\u2019ve earned the precise to say I don\u2019t prefer it, if one thing comes up within the present, and that\u2019s an incredible benefit. However no, I refuse to consider myself as The Star.\u201d She says it with mock awe. \u201cThat\u2019s boring and I\u2019m not . I need to do good work with good actors. The purpose of this occupation is to share the expertise and the enjoyable. I\u2019m not of the varsity that claims a present ought to be constructed throughout an individual. One-star automobiles are for the birds,\u201d Bacall insists. \u201cApart from, you look a rattling sight higher with good individuals round you than with dangerous.\u201d<\/p>\n<p>\u201cNaw,\u201d she says in that trademark throaty voice of hers, as she lastly drains the juice bottle she\u2019s been nursing. \u201cYou possibly can preserve the star stuff. I do know I&#8217;ve to point out up eight instances every week. However hell,\u201d Bacall laughs, \u201cI\u2019d do this if I had been within the refrain line!\u201d<\/p>\n<div class=\"bsp-article-enhancement align-full\">\n<div class=\"bsp-component bsp-gallery-module-component pb-contrast-layout\" itemtype=\"http:\/\/schema.org\/ImageGallery\" itemscope=\"\">\n<h3 itemprop=\"headline\" class=\"bsp-component-title\">Look Again at Lauren Bacall in Girl of the 12 months on Broadway<\/h3>\n<div class=\"bsp-component-content\" data-adaptive-height=\"true\">\n<div class=\"gallery-module gallery-module-pb-contrast-layout\" data-pb-teaser-gallery=\"\" data-total-imgs=\"15\" data-bsp-carousel=\"\" data-bsp-carousel-options=\"{&#10;&#9;&#9;&#9;\" theme=\"\" :=\"\" true=\"\" false=\"\" data-pb-gallery-interstitial=\"\" data-pb-gallery-custom=\"\">\n<div class=\"bsp-carousel-slide\">\n<figure class=\"bsp-img-with-teaser\"><img decoding=\"async\" src=\"https:\/\/bsp-static.playbill.com\/dims4\/default\/9b81ad1\/2147483647\/resize\/800x450%3E\/quality\/90\/?url=http%3A%2F%2Fpb-asset-replication.s3.amazonaws.com%2Ff2%2Ff4%2F1dc8bcd5420690a12925f470a1fc%2Fwoman-of-the-year-broadway-production-photo-1981-lauren-bacall-and-eivind-harum-hr.jpg\" data-url=\"0\"\/><figcaption class=\"bsp-img-teaser\">\n<div class=\"bsp-img-teaser-content\">\n<h3 data-pb-truncate=\"\" class=\"title\">Look Again at Lauren Bacall in Girl of the 12 months on Broadway<\/h3>\n<p data-pb-truncate=\"\" class=\"caption\">The present opened March 29, 1981 on the Palace Theatre. <\/p>\n<p>\t\t        <span class=\"counter\">15 PHOTOS<\/span>\n            <\/div>\n<\/figcaption><\/figure>\n<\/div>\n<div class=\"bsp-carousel-slide\">\n<figure class=\"bsp-img-with-meta\"><img decoding=\"async\" data-bsp-lazyimage=\"\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" data-lazy=\"https:\/\/bsp-static.playbill.com\/dims4\/default\/9b81ad1\/2147483647\/resize\/800x450%3E\/quality\/90\/?url=http%3A%2F%2Fpb-asset-replication.s3.amazonaws.com%2Ff2%2Ff4%2F1dc8bcd5420690a12925f470a1fc%2Fwoman-of-the-year-broadway-production-photo-1981-lauren-bacall-and-eivind-harum-hr.jpg\" alt=\"Woman_of_the_Year_Broadway_Production_Photo_1981_Lauren Bacall and Eivind Harum_HR.jpg\" data-url=\"2\"\/><figcaption><span class=\"bsp-img-caption\"><br \/>\n                Lauren Bacall and Eivind Harum in rehearsal <\/p>\n<p>                    <span class=\"bsp-img-credit\">Martha Swope\/\u00a9NYPL for the Performing Arts<\/span><\/p>\n<p>            <\/span><br \/>\n        <\/figcaption><\/figure>\n<p><!-- ImageView --><\/p><\/div>\n<div class=\"bsp-carousel-slide\">\n<figure class=\"bsp-img-with-meta\"><img decoding=\"async\" data-bsp-lazyimage=\"\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" data-lazy=\"https:\/\/bsp-static.playbill.com\/dims4\/default\/d9c57b8\/2147483647\/resize\/800x450\/quality\/90\/?url=http%3A%2F%2Fpb-asset-replication.s3.amazonaws.com%2F1c%2Feb%2F7f0f9bf34025963d4631954dde79%2Flauren-bacall-and-harry-guardino.jpg\" alt=\"Lauren Bacall and Harry Guardino\" data-url=\"3\"\/><figcaption><span class=\"bsp-img-caption\"><br \/>\n                Lauren Bacall and Harry Guardino in rehearsal <\/p>\n<p>                    <span class=\"bsp-img-credit\">Friedman-Abeles\/\u00a9NYPL for the Performing Arts<\/span><\/p>\n<p>            <\/span><br \/>\n        <\/figcaption><\/figure>\n<p><!-- ImageView --><\/p><\/div>\n<div class=\"bsp-carousel-slide\">\n<figure class=\"bsp-img-with-meta\"><img decoding=\"async\" data-bsp-lazyimage=\"\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" data-lazy=\"https:\/\/bsp-static.playbill.com\/dims4\/default\/2217179\/2147483647\/resize\/800x450\/quality\/90\/?url=http%3A%2F%2Fpb-asset-replication.s3.amazonaws.com%2F7a%2F1b%2F74f9e82c43249fcf547b728a0112%2Flauren-bacall.jpg\" alt=\"Lauren Bacall in&lt;i&gt; Woman of the Year&lt;\/i&gt;\" data-url=\"4\"\/><figcaption><span class=\"bsp-img-caption\"><br \/>\n                Lauren Bacall<\/p>\n<p>                    <span class=\"bsp-img-credit\">Martha Swope\/\u00a9NYPL for the Performing Arts<\/span><\/p>\n<p>            <\/span><br \/>\n        <\/figcaption><\/figure>\n<p><!-- ImageView --><\/p><\/div>\n<div class=\"bsp-carousel-slide\">\n<figure class=\"bsp-img-with-meta\"><img decoding=\"async\" data-bsp-lazyimage=\"\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" data-lazy=\"https:\/\/bsp-static.playbill.com\/dims4\/default\/a168131\/2147483647\/resize\/800x450\/quality\/90\/?url=http%3A%2F%2Fpb-asset-replication.s3.amazonaws.com%2Fe5%2F0f%2Fee0d6b78436c9b3c62958480472e%2Flauren-bacall-harry-guardino.jpg\" alt=\"Lauren Bacall and Harry Guardino\" data-url=\"5\"\/><figcaption><span class=\"bsp-img-caption\"><br \/>\n                Lauren Bacall and Harry Guardino<\/p>\n<p>                    <span class=\"bsp-img-credit\">Matha Swope\/\u00a9NYPL for the Performing Arts<\/span><\/p>\n<p>            <\/span><br \/>\n        <\/figcaption><\/figure>\n<p><!-- ImageView --><\/p><\/div>\n<div class=\"bsp-carousel-slide\">\n<figure class=\"bsp-img-with-meta\"><img decoding=\"async\" data-bsp-lazyimage=\"\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" data-lazy=\"https:\/\/bsp-static.playbill.com\/dims4\/default\/8a2b716\/2147483647\/resize\/800x450\/quality\/90\/?url=http%3A%2F%2Fpb-asset-replication.s3.amazonaws.com%2Fb9%2F4a%2F51699e9d4cef8a413cdc1bfb6ba6%2Fwoman-of-the-year-broadway-production-photo-1981-lauren-bacall-and-marilyn-cooper-hr.jpg\" alt=\"Woman_of_the_Year_Broadway_Production_Photo_1981_ Lauren Bacall and Marilyn Cooper_HR.jpg\" data-url=\"6\"\/><figcaption><span class=\"bsp-img-caption\"><br \/>\n                Lauren Bacall and Marilyn Cooper<\/p>\n<p>                    <span class=\"bsp-img-credit\">Martha Swope\/\u00a9NYPL for the Performing Arts<\/span><\/p>\n<p>            <\/span><br \/>\n        <\/figcaption><\/figure>\n<p><!-- ImageView --><\/p><\/div>\n<div class=\"bsp-carousel-slide\">\n<figure class=\"bsp-img-with-meta\"><img decoding=\"async\" data-bsp-lazyimage=\"\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" data-lazy=\"https:\/\/bsp-static.playbill.com\/dims4\/default\/f0d1486\/2147483647\/resize\/800x450%3E\/quality\/90\/?url=http%3A%2F%2Fpb-asset-replication.s3.amazonaws.com%2F7a%2F88%2F49b2ee3a4d739a1d61f04518d2f1%2Fwoman-of-the-year-broadway-production-photo-1981-harry-guardino-hr.jpg\" alt=\"Woman_of_the_Year_Broadway_Production_Photo_1981_Harry Guardino_HR.jpg\" data-url=\"7\"\/><figcaption><span class=\"bsp-img-caption\"><br \/>\n                Harry Guardino<\/p>\n<p>                    <span class=\"bsp-img-credit\">Martha Swope\/\u00a9NYPL for the Performing Arts<\/span><\/p>\n<p>            <\/span><br \/>\n        <\/figcaption><\/figure>\n<p><!-- ImageView --><\/p><\/div>\n<div class=\"bsp-carousel-slide\">\n<figure class=\"bsp-img-with-meta\"><img decoding=\"async\" data-bsp-lazyimage=\"\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" data-lazy=\"https:\/\/bsp-static.playbill.com\/dims4\/default\/3e8acff\/2147483647\/resize\/800x450\/quality\/90\/?url=http%3A%2F%2Fpb-asset-replication.s3.amazonaws.com%2F82%2F8e%2Fa00f1b0b44b098098c43bd7ab43f%2Fwoman-of-the-year-broadway-production-photo-1981-lauren-bacall-and-harry-guardino-hr.jpg\" alt=\"Woman_of_the_Year_Broadway_Production_Photo_1981_ Lauren Bacall and Harry Guardino_HR.jpg\" data-url=\"8\"\/><figcaption><span class=\"bsp-img-caption\"><br \/>\n                Harry Guardino and Lauren Bacall <\/p>\n<p>                    <span class=\"bsp-img-credit\">Martha Swope\/\u00a9NYPL for the Performing Arts<\/span><\/p>\n<p>            <\/span><br \/>\n        <\/figcaption><\/figure>\n<p><!-- ImageView --><\/p><\/div>\n<div class=\"bsp-carousel-slide\">\n<figure class=\"bsp-img-with-meta\"><img decoding=\"async\" data-bsp-lazyimage=\"\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" data-lazy=\"https:\/\/bsp-static.playbill.com\/dims4\/default\/1c38583\/2147483647\/resize\/800x450\/quality\/90\/?url=http%3A%2F%2Fpb-asset-replication.s3.amazonaws.com%2Ff5%2F97%2F59cb8b3d46c8b26e8c5ffe09ad81%2Fwoman-of-the-year-broadway-production-photo-1981-harry-guardino2-hr.jpg\" alt=\"Woman_of_the_Year_Broadway_Production_Photo_1981_Harry Guardino2_HR.jpg\" data-url=\"9\"\/><figcaption><span class=\"bsp-img-caption\"><br \/>\n                Harry Guardino<\/p>\n<p>                    <span class=\"bsp-img-credit\">Martha Swope\/\u00a9NYPL for the Performing Arts<\/span><\/p>\n<p>            <\/span><br \/>\n        <\/figcaption><\/figure>\n<p><!-- ImageView --><\/p><\/div>\n<div class=\"bsp-carousel-slide\">\n<figure class=\"bsp-img-with-meta\"><img decoding=\"async\" data-bsp-lazyimage=\"\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" data-lazy=\"https:\/\/bsp-static.playbill.com\/dims4\/default\/02da7b5\/2147483647\/resize\/800x450\/quality\/90\/?url=http%3A%2F%2Fpb-asset-replication.s3.amazonaws.com%2F5f%2F75%2F3f31ea334d1fba3f33e29eb1f4b8%2Fwoman-of-the-year-broadway-production-photo-1981-helon-blount-lauren-bacall-marian-harladson-hr.jpg\" alt=\"Woman_of_the_Year_Broadway_Production_Photo_1981_Helon Blount, Lauren Bacall &amp; Marian Harladson_HR.jpg\" data-url=\"10\"\/><figcaption><span class=\"bsp-img-caption\"><br \/>\n                Helon Blount, Lauren Bacall, and Marian Harladson<\/p>\n<p>                    <span class=\"bsp-img-credit\">Martha Swope\/\u00a9NYPL for the Performing Arts<\/span><\/p>\n<p>            <\/span><br \/>\n        <\/figcaption><\/figure>\n<p><!-- ImageView --><\/p><\/div>\n<div class=\"bsp-carousel-slide\">\n<figure class=\"bsp-img-with-meta\"><img decoding=\"async\" data-bsp-lazyimage=\"\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" data-lazy=\"https:\/\/bsp-static.playbill.com\/dims4\/default\/c683bcb\/2147483647\/resize\/800x450%3E\/quality\/90\/?url=http%3A%2F%2Fpb-asset-replication.s3.amazonaws.com%2F1f%2Fc0%2Fb9c6b5d94797bea3401bde2f7521%2Fwoman-of-the-year-broadway-production-photo-1981-lauren-bacall-marilyn-cooper-hr.jpg\" alt=\"Woman_of_the_Year_Broadway_Production_Photo_1981_Lauren Bacall &amp; Marilyn Cooper_HR.jpg\" data-url=\"11\"\/><figcaption><span class=\"bsp-img-caption\"><br \/>\n                Lauren Bacall and Marilyn Cooper<\/p>\n<p>                    <span class=\"bsp-img-credit\">Martha Swope\/\u00a9NYPL for the Performing Arts<\/span><\/p>\n<p>            <\/span><br \/>\n        <\/figcaption><\/figure>\n<p><!-- ImageView --><\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/div>\n<\/div><\/div>\n<p><script>\n    !function(f,b,e,v,n,t,s)\n    {if(f.fbq)return;n=f.fbq=function(){n.callMethod?\n        n.callMethod.apply(n,arguments):n.queue.push(arguments)};\n        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She settles for a &hellip;<\/p>\n","protected":false},"author":1,"featured_media":221979,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[],"class_list":["post-221974","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-tie-world"],"_links":{"self":[{"href":"https:\/\/hameed.nwar.uk\/sa\/wp-json\/wp\/v2\/posts\/221974","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/hameed.nwar.uk\/sa\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/hameed.nwar.uk\/sa\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/hameed.nwar.uk\/sa\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/hameed.nwar.uk\/sa\/wp-json\/wp\/v2\/comments?post=221974"}],"version-history":[{"count":0,"href":"https:\/\/hameed.nwar.uk\/sa\/wp-json\/wp\/v2\/posts\/221974\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/hameed.nwar.uk\/sa\/wp-json\/wp\/v2\/media\/221979"}],"wp:attachment":[{"href":"https:\/\/hameed.nwar.uk\/sa\/wp-json\/wp\/v2\/media?parent=221974"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/hameed.nwar.uk\/sa\/wp-json\/wp\/v2\/categories?post=221974"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/hameed.nwar.uk\/sa\/wp-json\/wp\/v2\/tags?post=221974"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}