{"id":199958,"date":"2020-02-09T13:12:49","date_gmt":"2020-02-09T10:12:49","guid":{"rendered":"http:\/\/ww-vb.mine.nu\/w108\/on-my-radar-david-lans-cultural-highlights\/"},"modified":"2020-02-09T13:12:49","modified_gmt":"2020-02-09T10:12:49","slug":"on-my-radar-david-lans-cultural-highlights","status":"publish","type":"post","link":"https:\/\/hameed.nwar.uk\/sa\/on-my-radar-david-lans-cultural-highlights\/","title":{"rendered":"On my radar: David Lan\u2019s cultural highlights"},"content":{"rendered":"<p> [ad_1]<br \/>\n<\/p>\n<div data-reactid=\"15\">\n<p class=\"canvas-atom canvas-text Mb(1.0em) Mb(0)--sm Mt(0.8em)--sm\" type=\"text\" content=\"&lt;strong&gt;Born in South Africa&lt;\/strong&gt;&lt;strong&gt;,&lt;\/strong&gt;&lt;strong&gt; David Lan trained as an &lt;\/strong&gt;&lt;strong&gt;actor&lt;\/strong&gt;&lt;strong&gt; before &lt;\/strong&gt;&lt;strong&gt;gaining a PhD in social &lt;\/strong&gt;&lt;strong&gt;anthropology&lt;\/strong&gt;&lt;strong&gt; at the London School of Economics&lt;\/strong&gt;&lt;strong&gt;.&lt;\/strong&gt;&lt;strong&gt; He &lt;\/strong&gt;&lt;strong&gt;has been a writer in residence at London\u2019s Royal Court theatre (1995-97)&lt;\/strong&gt;&lt;strong&gt; and was artistic director of the &lt;\/strong&gt;&lt;a href=&quot;https:\/\/www.theguardian.com\/stage\/2018\/feb\/06\/david-lan-young-vic-theatre-london&quot; title rel=&quot;nofollow noopener&quot; target=&quot;_blank&quot;&gt;&lt;strong&gt;Young Vic&lt;\/strong&gt;&lt;\/a&gt;&lt;strong&gt; from 2000 to 2018&lt;\/strong&gt;&lt;strong&gt;,&lt;\/strong&gt;&lt;strong&gt; when he received the Laurence Olivier special &lt;\/strong&gt;&lt;strong&gt;award&lt;\/strong&gt;&lt;strong&gt; for his role in productions &lt;\/strong&gt;&lt;strong&gt;such as &lt;em&gt;The Jungle&lt;\/em&gt; and &lt;\/strong&gt;&lt;a href=&quot;https:\/\/www.theguardian.com\/stage\/2018\/apr\/01\/the-inheritance-young-vic-frankenstein-battersea-arts-centre-review&quot; title rel=&quot;nofollow noopener&quot; target=&quot;_blank&quot;&gt;&lt;strong&gt;&lt;em&gt;The Inheritance&lt;\/em&gt;&lt;\/strong&gt;&lt;\/a&gt;&lt;strong&gt;.&lt;\/strong&gt; &lt;strong&gt;Lan\u2019s memoir, &lt;\/strong&gt;&lt;a href=&quot;https:\/\/guardianbookshop.com\/as-if-by-chance-9780571357796.html?utm_source=editoriallink&amp;amp;utm_medium=merch&amp;amp;utm_campaign=article&quot; title rel=&quot;nofollow noopener&quot; target=&quot;_blank&quot;&gt;&lt;strong&gt;&lt;em&gt;As If By Chance: Journeys, Theatres&lt;\/em&gt;&lt;\/strong&gt;&lt;\/a&gt;&lt;strong&gt;&lt;em&gt;, &lt;\/em&gt;&lt;\/strong&gt;&lt;strong&gt;&lt;em&gt;Lives&lt;\/em&gt;&lt;\/strong&gt;&lt;strong&gt;&lt;em&gt;,&lt;\/em&gt; is published by Faber&lt;\/strong&gt;&lt;strong&gt; on 20 February&lt;\/strong&gt;&lt;strong&gt;.&lt;\/strong&gt;\" data-reactid=\"16\"><strong>Born in South Africa<\/strong><strong>,<\/strong><strong> David Lan trained as an <\/strong><strong>actor<\/strong><strong> before <\/strong><strong>gaining a PhD in social <\/strong><strong>anthropology<\/strong><strong> at the London School of Economics<\/strong><strong>.<\/strong><strong> He <\/strong><strong>has been a writer in residence at London\u2019s Royal Court theatre (1995-97)<\/strong><strong> and was artistic director of the <\/strong><strong>Young Vic<\/strong><strong> from 2000 to 2018<\/strong><strong>,<\/strong><strong> when he received the Laurence Olivier special <\/strong><strong>award<\/strong><strong> for his role in productions <\/strong><strong>such as <em>The Jungle<\/em> and <\/strong><strong><em>The Inheritance<\/em><\/strong><strong>.<\/strong> <strong>Lan\u2019s memoir, <\/strong><strong><em>As If By Chance: Journeys, Theatres<\/em><\/strong><strong><em>, <\/em><\/strong><strong><em>Lives<\/em><\/strong><strong><em>,<\/em> is published by Faber<\/strong><strong> on 20 February<\/strong><strong>.<\/strong><\/p>\n<h2 class=\"canvas-atom canvas-text Mb(1.0em) Mb(0)--sm Mt(0.8em)--sm\" type=\"text\" content=\"1. Music\" data-reactid=\"17\">1. Music<\/h2>\n<p class=\"canvas-atom canvas-text Mb(1.0em) Mb(0)--sm Mt(0.8em)--sm\" type=\"text\" content=\"&lt;a href=&quot;https:\/\/www.theguardian.com\/music\/2020\/feb\/01\/madonna-review-london-palladium-madame-x-tour&quot; title rel=&quot;nofollow noopener&quot; target=&quot;_blank&quot;&gt;&lt;strong&gt;Madonna\u2019s Madame X tour&lt;\/strong&gt;&lt;\/a&gt;\" data-reactid=\"18\"><strong>Madonna\u2019s Madame X tour<\/strong><\/p>\n<p class=\"canvas-atom canvas-text Mb(1.0em) Mb(0)--sm Mt(0.8em)--sm\" type=\"text\" content=\"I caught this in New York, where I\u2019m producing at the moment. It\u2019s \u201cWow!\u201d modulated a hundred different ways. It kicks off with James Baldwin (\u201cartists are here to disturb the peace\u201d), then dives into Madame X\u2019s recent adventures (\u201cAs you all know, I moved to Lisbon to become a soccer mom\u201d), features her hits old and brand new, stops off for a thrilling fado section, then for the all-female Orquestra Batukadeiras from Cape Verde. It whirls to an end with the first lady of the brave and the crazed encircled by a chorus of black women intoning \u201cI\u2019m not your bitch!\u201d, herself hurling out the coda: \u201cHave we made ourselves clear?\u201d Yup.\" data-reactid=\"19\">I caught this in New York, where I\u2019m producing at the moment. It\u2019s \u201cWow!\u201d modulated a hundred different ways. It kicks off with James Baldwin (\u201cartists are here to disturb the peace\u201d), then dives into Madame X\u2019s recent adventures (\u201cAs you all know, I moved to Lisbon to become a soccer mom\u201d), features her hits old and brand new, stops off for a thrilling fado section, then for the all-female Orquestra Batukadeiras from Cape Verde. It whirls to an end with the first lady of the brave and the crazed encircled by a chorus of black women intoning \u201cI\u2019m not your bitch!\u201d, herself hurling out the coda: \u201cHave we made ourselves clear?\u201d Yup.<\/p>\n<h2 class=\"canvas-atom canvas-text Mb(1.0em) Mb(0)--sm Mt(0.8em)--sm\" type=\"text\" content=\"2. Book\" data-reactid=\"20\">2. Book<\/h2>\n<p class=\"canvas-atom canvas-text Mb(1.0em) Mb(0)--sm Mt(0.8em)--sm\" type=\"text\" content=\"&lt;strong&gt;Migrant, Refugee, Smuggler, Saviour by &lt;\/strong&gt;&lt;a href=&quot;https:\/\/globalinitiative.net\/experts\/peter-tinti\/&quot; title rel=&quot;nofollow noopener&quot; target=&quot;_blank&quot;&gt;&lt;strong&gt;Peter Tinti&lt;\/strong&gt;&lt;\/a&gt;&lt;strong&gt; and Tuesday &lt;\/strong&gt;&lt;strong&gt;Reitano&lt;\/strong&gt;\" data-reactid=\"21\"><strong>Migrant, Refugee, Smuggler, Saviour by <\/strong><strong>Peter Tinti<\/strong><strong> and Tuesday <\/strong><strong>Reitano<\/strong><\/p>\n<p class=\"canvas-atom canvas-text Mb(1.0em) Mb(0)--sm Mt(0.8em)--sm\" type=\"text\" content=\"One of the last shows I produced at the Young Vic was &lt;a href=&quot;https:\/\/www.theguardian.com\/stage\/2017\/dec\/24\/the-jungle-young-vic-observer-review&quot; title rel=&quot;nofollow noopener&quot; target=&quot;_blank&quot;&gt;&lt;em&gt;The Jungle&lt;\/em&gt;&lt;\/a&gt;, which recreates the Calais refugee and migrant camp. As preparation I read many of the recent books about the vast currents of people desperate to escape conflict and the degradation of their lives. This one contains the most adventurous analysis. The title says it all: if you leave your home because otherwise you\u2019ll starve, you\u2019re a migrant; if it\u2019s because bombs are falling on your village, you\u2019re a refugee. Those who help you cross borders may be criminals profiting from your defencelessness, but it may be those same thugs who save your life.\" data-reactid=\"22\">One of the last shows I produced at the Young Vic was <em>The Jungle<\/em>, which recreates the Calais refugee and migrant camp. As preparation I read many of the recent books about the vast currents of people desperate to escape conflict and the degradation of their lives. This one contains the most adventurous analysis. The title says it all: if you leave your home because otherwise you\u2019ll starve, you\u2019re a migrant; if it\u2019s because bombs are falling on your village, you\u2019re a refugee. Those who help you cross borders may be criminals profiting from your defencelessness, but it may be those same thugs who save your life.<\/p>\n<h2 class=\"canvas-atom canvas-text Mb(1.0em) Mb(0)--sm Mt(0.8em)--sm\" type=\"text\" content=\"3. Place\" data-reactid=\"23\">3. Place<\/h2>\n<p class=\"canvas-atom canvas-text Mb(1.0em) Mb(0)--sm Mt(0.8em)--sm\" type=\"text\" content=\"&lt;strong&gt;Golborne Road, &lt;\/strong&gt;&lt;strong&gt;London W10&lt;\/strong&gt;\" data-reactid=\"24\"><strong>Golborne Road, <\/strong><strong>London W10<\/strong><\/p>\n<figure class=\"canvas-image Mx(a) canvas-atom My(24px) My(20px)--sm\" style=\"max-width:100%;\" data-type=\"image\" itemscope=\"\" itemprop=\"associatedMedia image\" itemtype=\"http:\/\/schema.org\/ImageObject\" data-reactid=\"25\"><meta itemprop=\"height\" content=\"480\" data-reactid=\"26\"\/><meta itemprop=\"width\" content=\"800\" data-reactid=\"27\"\/><\/p>\n<div style=\"padding-bottom:60%;\" class=\"Maw(100%) Pos(r) H(0)\" data-reactid=\"28\"><img decoding=\"async\" alt=\"Golborne Road, North Kensington, in the shadow of Trellick Tower\" class=\"JsEnabled_Op(0) JsEnabled_Bg(n) Trsdu(.42s) Bgr(nr) Bgz(cv) StretchedBox W(100%) H(100%) ie-7_H(a)\" itemprop=\"url\" style=\"background-image:url(https:\/\/s.yimg.com\/ny\/api\/res\/1.2\/SEB.sT0pbTBigrejk.DfBg--~A\/YXBwaWQ9aGlnaGxhbmRlcjtzbT0xO3c9ODAw\/https:\/\/media.zenfs.com\/en-GB\/theguardian_763\/2ceb375775d2073b44bd543d2bfbacf0);\" src=\"https:\/\/s.yimg.com\/g\/images\/spaceball.gif\" data-reactid=\"29\"\/><noscript data-reactid=\"30\"><img decoding=\"async\" alt=\"Golborne Road, North Kensington, in the shadow of Trellick Tower\" class=\"StretchedBox W(100%) H(100%) ie-7_H(a)\" src=\"https:\/\/s.yimg.com\/ny\/api\/res\/1.2\/SEB.sT0pbTBigrejk.DfBg--~A\/YXBwaWQ9aGlnaGxhbmRlcjtzbT0xO3c9ODAw\/https:\/\/media.zenfs.com\/en-GB\/theguardian_763\/2ceb375775d2073b44bd543d2bfbacf0\" itemprop=\"url\"\/><\/noscript><\/div>\n<div itemprop=\"caption description\" class=\"Ov(h) Pos(r) Ff(ss) Mah(80px)\" data-reactid=\"31\"><figcaption class=\"C($c-fuji-grey-h) Fz(13px) Py(5px) Lh(1.5)\" title=\"&lt;span class=&quot;element-image__caption&quot;&gt;Golborne Road, North Kensington, in the shadow of Trellick Tower. Photograph: Alamy Stock&lt;\/span&gt; &lt;span class=&quot;element-image__credit&quot;&gt;Photograph: Peter Forsberg\/Alamy Stock Photo&lt;\/span&gt;\" data-reactid=\"32\">\n<p><span class=\"element-image__caption\">Golborne Road, North Kensington, in the shadow of Trellick Tower. Photograph: Alamy Stock<\/span> <span class=\"element-image__credit\">Photograph: Peter Forsberg\/Alamy Stock Photo<\/span><\/p>\n<\/figcaption><button class=\"C($c-fuji-blue-1-b) Cur(p) W(100%) T(63px) Bgc(#fff) Ta(start) Fz(13px) P(0) Bd(0) O(0) Lh(1.5) Pos(a)\" data-reactid=\"34\"><span data-reactid=\"35\">More<\/span><\/button><\/div>\n<\/figure>\n<p class=\"canvas-atom canvas-text Mb(1.0em) Mb(0)--sm Mt(0.8em)--sm\" type=\"text\" content=\"Golborne Road (off Portobello Road, North Kensington) was once part of the great forest of Middlesex; today you won\u2019t see too many trees. It\u2019s a laid-back, apparently accidental intersection of Portuguese, Spanish, Moroccan and English cuisine, art, patisserie, old furniture and street market, all in the shadow of thebrutalist Grade II*-listed &lt;a href=&quot;https:\/\/www.theguardian.com\/theguardian\/1999\/mar\/11\/features11.g28&quot; title rel=&quot;nofollow noopener&quot; target=&quot;_blank&quot;&gt;Trellick Tower&lt;\/a&gt;, designed by the Hungarian-born Ern\u0151 Goldfinger.It\u2019s a great weekend hangout. There\u2019s a grilled fish stall that spirits you back to the Jemaa el-Fnaa in Marrakech. My favourite local restaurant is &lt;a href=&quot;http:\/\/zayanerestaurant.com\/&quot; title rel=&quot;nofollow noopener&quot; target=&quot;_blank&quot;&gt;Zayane&lt;\/a&gt;, run by the Mortell family from Casablanca: their tagines sizzle almost all the way to the last bite.\" data-reactid=\"36\">Golborne Road (off Portobello Road, North Kensington) was once part of the great forest of Middlesex; today you won\u2019t see too many trees. It\u2019s a laid-back, apparently accidental intersection of Portuguese, Spanish, Moroccan and English cuisine, art, patisserie, old furniture and street market, all in the shadow of thebrutalist Grade II*-listed Trellick Tower, designed by the Hungarian-born Ern\u0151 Goldfinger.It\u2019s a great weekend hangout. There\u2019s a grilled fish stall that spirits you back to the Jemaa el-Fnaa in Marrakech. My favourite local restaurant is Zayane, run by the Mortell family from Casablanca: their tagines sizzle almost all the way to the last bite.<\/p>\n<h2 class=\"canvas-atom canvas-text Mb(1.0em) Mb(0)--sm Mt(0.8em)--sm\" type=\"text\" content=\"4. Film\" data-reactid=\"37\">4. Film<\/h2>\n<p class=\"canvas-atom canvas-text Mb(1.0em) Mb(0)--sm Mt(0.8em)--sm\" type=\"text\" content=\"&lt;a href=&quot;https:\/\/www.theguardian.com\/film\/2018\/dec\/02\/the-wild-pear-tree-review-nuri-bilge-ceylan&quot; title rel=&quot;nofollow noopener&quot; target=&quot;_blank&quot;&gt;&lt;strong&gt;The Wild Pear Tree&lt;\/strong&gt;&lt;\/a&gt;&lt;strong&gt; (dir. Nuri Bilge Ceylan&lt;\/strong&gt;&lt;strong&gt;,&lt;\/strong&gt;&lt;strong&gt; 2018&lt;\/strong&gt;&lt;strong&gt;)&lt;\/strong&gt;\" data-reactid=\"38\"><strong>The Wild Pear Tree<\/strong><strong> (dir. Nuri Bilge Ceylan<\/strong><strong>,<\/strong><strong> 2018<\/strong><strong>)<\/strong><\/p>\n<p class=\"canvas-atom canvas-text Mb(1.0em) Mb(0)--sm Mt(0.8em)--sm\" type=\"text\" content=\"Ceylan makes the kind of film where you go, \u201cNo, honestly, I can\u2019t face a three-hour, glacially slow, landscape-driven work of genius that opens out into being about everything that matters in the modern world. C\u2019mon let\u2019s see &lt;em&gt;Psycho&lt;\/em&gt; one more time.\u201d But then you think, \u201cIf I don\u2019t watch &lt;a href=&quot;https:\/\/www.theguardian.com\/film\/2012\/mar\/18\/once-upon-time-in-anatolia-review&quot; title rel=&quot;nofollow noopener&quot; target=&quot;_blank&quot;&gt;&lt;em&gt;Once Upon a Time in Anatolia&lt;\/em&gt;&lt;\/a&gt; or &lt;a href=&quot;https:\/\/www.theguardian.com\/film\/2014\/nov\/23\/winter-sleep-review-powerful-meditation-guilt-nuri-bilge-ceylan&quot; title rel=&quot;nofollow noopener&quot; target=&quot;_blank&quot;&gt;&lt;em&gt;Winter Slee&lt;\/em&gt;p&lt;\/a&gt; tonight, maybe tomorrow Armageddon will arrive and I\u2019ll die the poorer for it\u201d \u2013 so you do and you have the best evening of cinema you can imagine. &lt;em&gt;The Wild Pear Tree&lt;\/em&gt; is his latest invisibly crafted submersion into the psyche of contemporary Turkey. It\u2019s as folksy and civilised as Tolstoy.\" data-reactid=\"39\">Ceylan makes the kind of film where you go, \u201cNo, honestly, I can\u2019t face a three-hour, glacially slow, landscape-driven work of genius that opens out into being about everything that matters in the modern world. C\u2019mon let\u2019s see <em>Psycho<\/em> one more time.\u201d But then you think, \u201cIf I don\u2019t watch <em>Once Upon a Time in Anatolia<\/em> or <em>Winter Slee<\/em>p tonight, maybe tomorrow Armageddon will arrive and I\u2019ll die the poorer for it\u201d \u2013 so you do and you have the best evening of cinema you can imagine. <em>The Wild Pear Tree<\/em> is his latest invisibly crafted submersion into the psyche of contemporary Turkey. It\u2019s as folksy and civilised as Tolstoy.<\/p>\n<h2 class=\"canvas-atom canvas-text Mb(1.0em) Mb(0)--sm Mt(0.8em)--sm\" type=\"text\" content=\"5. Dance\" data-reactid=\"40\">5. Dance<\/h2>\n<p class=\"canvas-atom canvas-text Mb(1.0em) Mb(0)--sm Mt(0.8em)--sm\" type=\"text\" content=\"&lt;a href=&quot;https:\/\/www.sadlerswells.com\/whats-on\/2020\/message-in-a-bottle\/?gclid=Cj0KCQiApt_xBRDxARIsAAMUMu8HydiCvG2UGNxu5to_B52wdY9CgnoQti-oIvNE7NSi7ditcFFbCHIaAidBEALw_wcB&quot; title rel=&quot;nofollow noopener&quot; target=&quot;_blank&quot;&gt;&lt;strong&gt;Message in a Bottle&lt;\/strong&gt;&lt;\/a&gt;&lt;strong&gt;, Peacock theatre, London&lt;\/strong&gt;\" data-reactid=\"41\"><strong>Message in a Bottle<\/strong><strong>, Peacock theatre, London<\/strong><\/p>\n<p class=\"canvas-atom canvas-text Mb(1.0em) Mb(0)--sm Mt(0.8em)--sm\" type=\"text\" content=\"Do art houses die when they lose connection to the street? Probably. Contrariwise, street artists are keen to blast their way into art houses, if only because a box office is a more efficient way to earn a living than passing round a hat. For two decades, Sadler\u2019s Wells\u2019s &lt;a href=&quot;https:\/\/www.sadlerswells.com\/whats-on\/2020\/breakin-convention-2020-international-festival-of-hip-hop-dance-theatre\/&quot; title rel=&quot;nofollow noopener&quot; target=&quot;_blank&quot;&gt;Breakin\u2019 Convention&lt;\/a&gt; weekend has been a revelatory festival of hip-hop, the spectacular dance form born on the streets of the Bronx in the 1970s. In &lt;em&gt;Message in a Bottle&lt;\/em&gt;, choreographed by Kate Prince to old favourites by Sting, the exuberance of the street is all there, but in this tale of the journeys of three refugees, the young dancers\u2019 heartstopping technique ripens into emotional resonance and meaning.\" data-reactid=\"42\">Do art houses die when they lose connection to the street? Probably. Contrariwise, street artists are keen to blast their way into art houses, if only because a box office is a more efficient way to earn a living than passing round a hat. For two decades, Sadler\u2019s Wells\u2019s Breakin\u2019 Convention weekend has been a revelatory festival of hip-hop, the spectacular dance form born on the streets of the Bronx in the 1970s. In <em>Message in a Bottle<\/em>, choreographed by Kate Prince to old favourites by Sting, the exuberance of the street is all there, but in this tale of the journeys of three refugees, the young dancers\u2019 heartstopping technique ripens into emotional resonance and meaning.<\/p>\n<p><button class=\"read-more-button Td(n) Cur(p) D(ib) Fw(b) Fz(14px) Fz(15px)--lg W(180px)--sm Bdc($c-fuji-blue-1-a) Bdrs(4px) Bds(s) Bdw(2px) Bgc($c-fuji-blue-1-a):h C($c-fuji-blue-1-a)! C(#fff)!:h Lts(.3px) Px(30px) Py(10px) Lh(1)\" data-reactid=\"44\"><span data-reactid=\"45\">Story continues<\/span><\/button><\/p>\n<div class=\"Ov(h) Trs($transition-readmore) Mah(0)\" data-reactid=\"46\">\n<h2 class=\"canvas-atom canvas-text Mb(1.0em) Mb(0)--sm Mt(0.8em)--sm\" type=\"text\" content=\"6. Fashion\" data-reactid=\"47\">6. Fashion<\/h2>\n<p class=\"canvas-atom canvas-text Mb(1.0em) Mb(0)--sm Mt(0.8em)--sm\" type=\"text\" content=\"&lt;a href=&quot;https:\/\/edwin-europe.com\/denim\/jeans.html?gclid=Cj0KCQiAvc_xBRCYARIsAC5QT9mQ02-GKz8R-afYLAbXeLvGgRJ0oRh1UTx9voi7b-FVHdF-DIV7mIoaAmAGEALw_wcB&quot; title rel=&quot;nofollow noopener&quot; target=&quot;_blank&quot;&gt;&lt;strong&gt;Edwin black jeans&lt;\/strong&gt;&lt;\/a&gt;\" data-reactid=\"48\"><strong>Edwin black jeans<\/strong><\/p>\n<p class=\"canvas-atom canvas-text Mb(1.0em) Mb(0)--sm Mt(0.8em)--sm\" type=\"text\" content=\"Maybe 35 years ago I saw my friend, the actor &lt;a href=&quot;https:\/\/www.theguardian.com\/stage\/2015\/jul\/12\/roger-rees&quot; title rel=&quot;nofollow noopener&quot; target=&quot;_blank&quot;&gt;Roger Rees,&lt;\/a&gt; in a show. I\u2019ve no memory of the show but I do remember he was wearing stylish black jeans. I\u2019ve been wearing black jeans ever since, not in homage to Roger, but because it means I can wear the same trousers wherever and whenever. The idea of clothes that draw attention to yourself is repellent: surely the point of couture is to enable you to disappear. Occasionally I have to go to some formal do and get out the tux, but all the men are wearing the same monkey suits, so you can disappear just as effectively.\" data-reactid=\"49\">Maybe 35 years ago I saw my friend, the actor Roger Rees, in a show. I\u2019ve no memory of the show but I do remember he was wearing stylish black jeans. I\u2019ve been wearing black jeans ever since, not in homage to Roger, but because it means I can wear the same trousers wherever and whenever. The idea of clothes that draw attention to yourself is repellent: surely the point of couture is to enable you to disappear. Occasionally I have to go to some formal do and get out the tux, but all the men are wearing the same monkey suits, so you can disappear just as effectively.<\/p>\n<\/div>\n<\/div>\n<p>[ad_2]<br \/>\n<br \/><a href=\"https:\/\/sg.style.yahoo.com\/radar-david-lan-cultural-highlights-100003323.html\">Source link <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>[ad_1] Born in South Africa, David Lan trained as an actor before gaining a PhD in social anthropology at the London School of Economics. He has been a writer in residence at London\u2019s Royal Court theatre (1995-97) and was artistic director of the Young Vic from 2000 to 2018, when he received the Laurence Olivier &hellip;<\/p>\n","protected":false},"author":1,"featured_media":199959,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[33],"tags":[],"class_list":["post-199958","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-33"],"_links":{"self":[{"href":"https:\/\/hameed.nwar.uk\/sa\/wp-json\/wp\/v2\/posts\/199958","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/hameed.nwar.uk\/sa\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/hameed.nwar.uk\/sa\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/hameed.nwar.uk\/sa\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/hameed.nwar.uk\/sa\/wp-json\/wp\/v2\/comments?post=199958"}],"version-history":[{"count":0,"href":"https:\/\/hameed.nwar.uk\/sa\/wp-json\/wp\/v2\/posts\/199958\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/hameed.nwar.uk\/sa\/wp-json\/wp\/v2\/media\/199959"}],"wp:attachment":[{"href":"https:\/\/hameed.nwar.uk\/sa\/wp-json\/wp\/v2\/media?parent=199958"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/hameed.nwar.uk\/sa\/wp-json\/wp\/v2\/categories?post=199958"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/hameed.nwar.uk\/sa\/wp-json\/wp\/v2\/tags?post=199958"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}